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เจส รู้สึกจะเพลง take my breath หรือ ไม่ก็ angle เป็นไลฟ์ อ่ะ ลากยาวมาก อลัง

เสียดายพรสวรรค์ชีนะ

ดีว่าส์ไลฟ์ เอาชีไปด้วยหน่อย


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พระนางแมรียา พิมพ์ว่า:

เพิ่มเติมค่ะ สรุปว่านักร้องที่เรนจ์เสียงกว้างที่สุดคือ Georgia Brown 8 อ็อฟเตฟ จากโน้ต G2-G10 ค่ะ พระเจ้ามากๆ อีมาลัยสูงสุดเก๊าะ G#7 เอามาให้อ่านเล่นๆ จากวิกิค่ะ

Females

Greatest range and Highest vocal note: Eight octaves, G2-G10, Georgia Brown, Brazil, August 18, 2004
Guinness lists the highest demanded note in the classical repertoire as G6 in 'Popoli di Tessaglia,' a concert aria by W. A. Mozart. However, this is not a standard repertory piece. (One should also note that the instruments used when Mozart composed were pitched a whole step lower than contemporary instruments such that a G6 as he wrote it would be produced in the same anatomical position as the contemporary F6. The fact that Mozart composed with a G6 does not, therefore, indicate that the human voice is broadly capable of producing that pitch as it is contemporarily defined. A contemporary F6 is a different matter, however; the F6 (which is the contemporary tone produced if one were to sing "Popoli di Tessaglia" with period instruments) is a commonly produced pitch for sopranos as "Der H&ouml;lle Rache," for instance, is performed as written--with an F6--on today's instruments <producing what would have for Mozart been a G6>) The highest note in the standard repertoire is F6 in Mozart's aria "Der H&ouml;lle Rache kocht in meinem Herzen" (sometimes called "The Queen of the Night's aria," though this character actually has two arias) from the opera Die Zauberfl&ouml;te. It calls for four F6's, which is often cited as the highest note in classical vocal music (she sings an additional F6 during the first Act aria, "O zittre nicht, mein lieber Sohn"). Also the opera Esclarmonde by composer Massenet called for high F, and even high G. Several little-known works call for pitches higher than G6. For example, the soprano Mado Robin, who was known for her exceptionally high voice, sang a number of compositions created especially to exploit her highest notes, reaching C7 according to the Concise Oxford Dictionary of Opera (edited by Harold Rosenthal)
Males

Greatest range: Six octaves, Tim Storms, USA
Highest vocal note: C#8 Adam Lopez, Australia
Guinness lists the lowest demanded note in the classical repertoire as a "Low D" (two Ds below Middle C) in Osmin's aria in Mozart's Die Entf&uuml;hrung aus dem Serail. Although Osmin's note is the lowest demanded and commonly performed in the operatic repertoire, Leonard Bernstein composed an optional low B (a minor third below the low D) in a bass aria in the opera house version of Candide. In a Russian piece combining solo and choral singing, Pavel Chesnokov directs the bass soloist in "Do not deny me in my old age" to descend even lower, to G1, depending on the arrangement. Composers have sometimes called upon the bass voice to sing extremely low pitches in choral arrangements. Mahler's second symphony contains an optional B♭1 in the choral section at the end of the piece: basses who cannot reach it are requested to remain silent rather than sing a B♭2. In Rachmaninoff's Vespers the composer actually requires the B♭1.

บร๊ะเจ้า!!!!


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รักกันไว้เถิด เราเกิดร่วมแดนไทย จะเกิดภาคไหนก็ไทยด้วยกัน
รักกันไว้เถิด เราเกิดร่วมแดนไทย จะเกิดภาคไหนก็ไทยด้วยกัน
รักกันไว้เถิด เราเกิดร่วมแดนไทย จะเกิดภาคไหนก็ไทยด้วยกัน

พระนางแมรียา พิมพ์ว่า:

เพิ่มเติมค่ะ สรุปว่านักร้องที่เรนจ์เสียงกว้างที่สุดคือ Georgia Brown 8 อ็อฟเตฟ จากโน้ต G2-G10 ค่ะ พระเจ้ามากๆ อีมาลัยสูงสุดเก๊าะ G#7 เอามาให้อ่านเล่นๆ จากวิกิค่ะ

Females

Greatest range and Highest vocal note: Eight octaves, G2-G10, Georgia Brown, Brazil, August 18, 2004
Guinness lists the highest demanded note in the classical repertoire as G6 in 'Popoli di Tessaglia,' a concert aria by W. A. Mozart. However, this is not a standard repertory piece. (One should also note that the instruments used when Mozart composed were pitched a whole step lower than contemporary instruments such that a G6 as he wrote it would be produced in the same anatomical position as the contemporary F6. The fact that Mozart composed with a G6 does not, therefore, indicate that the human voice is broadly capable of producing that pitch as it is contemporarily defined. A contemporary F6 is a different matter, however; the F6 (which is the contemporary tone produced if one were to sing "Popoli di Tessaglia" with period instruments) is a commonly produced pitch for sopranos as "Der H&ouml;lle Rache," for instance, is performed as written--with an F6--on today's instruments <producing what would have for Mozart been a G6>) The highest note in the standard repertoire is F6 in Mozart's aria "Der H&ouml;lle Rache kocht in meinem Herzen" (sometimes called "The Queen of the Night's aria," though this character actually has two arias) from the opera Die Zauberfl&ouml;te. It calls for four F6's, which is often cited as the highest note in classical vocal music (she sings an additional F6 during the first Act aria, "O zittre nicht, mein lieber Sohn"). Also the opera Esclarmonde by composer Massenet called for high F, and even high G. Several little-known works call for pitches higher than G6. For example, the soprano Mado Robin, who was known for her exceptionally high voice, sang a number of compositions created especially to exploit her highest notes, reaching C7 according to the Concise Oxford Dictionary of Opera (edited by Harold Rosenthal)
Males

Greatest range: Six octaves, Tim Storms, USA
Highest vocal note: C#8 Adam Lopez, Australia
Guinness lists the lowest demanded note in the classical repertoire as a "Low D" (two Ds below Middle C) in Osmin's aria in Mozart's Die Entf&uuml;hrung aus dem Serail. Although Osmin's note is the lowest demanded and commonly performed in the operatic repertoire, Leonard Bernstein composed an optional low B (a minor third below the low D) in a bass aria in the opera house version of Candide. In a Russian piece combining solo and choral singing, Pavel Chesnokov directs the bass soloist in "Do not deny me in my old age" to descend even lower, to G1, depending on the arrangement. Composers have sometimes called upon the bass voice to sing extremely low pitches in choral arrangements. Mahler's second symphony contains an optional B♭1 in the choral section at the end of the piece: basses who cannot reach it are requested to remain silent rather than sing a B♭2. In Rachmaninoff's Vespers the composer actually requires the B♭1.

อีป้าจอจี้หวีดแทนเพลงได้ทั้งเพลงเท่านั้นเอง -*- เลิศมากครับผม!!!


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April fighting! + angel Sojin�

ทิวทิวา พิมพ์ว่า:

เจส รู้สึกจะเพลง take my breath หรือ ไม่ก็ angle เป็นไลฟ์ อ่ะ ลากยาวมาก อลัง

เสียดายพรสวรรค์ชีนะ

ดีว่าส์ไลฟ์ เอาชีไปด้วยหน่อย

Angle หรือ Angel ข้ะ?
ถ้า Angle แปลว่า มุม แต่ Angel แปลว่านางฟ้าข่ะ
แต่รู้สึกเพลงของ JS จะมีแต่ Angels นะข้ะ???


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CLICK

นางมารหอหลวม พิมพ์ว่า:

ทิวทิวา พิมพ์ว่า:

เจส รู้สึกจะเพลง take my breath หรือ ไม่ก็ angle เป็นไลฟ์ อ่ะ ลากยาวมาก อลัง

เสียดายพรสวรรค์ชีนะ

ดีว่าส์ไลฟ์ เอาชีไปด้วยหน่อย

Angle หรือ Angel ข้ะ?
ถ้า Angle แปลว่า มุม แต่ Angel แปลว่านางฟ้าข่ะ
แต่รู้สึกเพลงของ JS จะมีแต่ Angels นะข้ะ???

555 angel ค่ะ ขออภัย ด้วยค่ะ พิมพ์เร็วไปนิดส์


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ลากเสียงได้ยาวที่สุด ก็ ผ่องศรี วรนุช ไง คร่ะ


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